VISUAL THEOLOGY



Pietro di Domenico da Montepulciano (Italian, Marchigian, active first quarter 15th century) Madonna and Child with Angels, Tempera on wood, gold ground, The Metropolitan Museum of Art ■ This painting dates about 1420 and is notable for the refinement of its tooled and freehand work on the gold ground. The picture alludes to the Madonna’s humility (seated on grass); as Queen of Heaven (the angels tooled into the gold background suspend a crown over her); and as the beloved enclosed in a garden. She unveils her sleeping child—an allusion to his future sacrifice and death. It is one of the finest works by Pietro di Domenico, who was active in the region of the Marches. Exceptionally, the picture survives intact with its original engaged frame decorated with a continuous flower pattern and the artist's signature ■

Y entonces uno se queda con la Iglesia, que me ofrece lo único que debe ofrecerme la Iglesia: el conocimiento de que ya estamos salvados –porque esa es la primera misión de la Iglesia, el anunciar la salvación gracias a Jesucristo- y el camino para alcanzar la alegría, pero sin exclusividades de buen pastor, a través de esa maravilla que es la confesión y los sacramentos. La Iglesia, sin partecitas.

laus deo virginique matris


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