VISUAL THEOLOGY



Tapestry with the Annunciation (ca. 1410–20), Wool warp, wool with a few metallic wefts, Metropolitan Museum of Art (New York) ■ Seated in a spacious room of the elaborate type first represented in Northern Europe by the illuminator Jean Pucelle, the Virgin Mary looks away from her book on the reading lectern, startled by the sudden entrance of the archangel Gabriel. He holds a scroll with the words "Ave gracia plena" ("Hail [Mary] full of grace"). In the sky, God the Father sends the infant Jesus bearing a cross toward the Virgin, preceded by the dove of the Holy Spirit. They descend in the direction of the Virgin's ear, as it was believed that her ear was the opening through which she conceived. Other imagery in the tapestry, such as the enclosed garden, emphasizes her virginity, and the single white lily placed in an elaborate pottery jar symbolizes her purity. Although the tapestry was probably woven in Arras in the south Lowlands—the leading center of tapestry production following the decline of Paris during the Hundred Years War-it was found in Spain. The fame of weavers from this area extended throughout Europe, and was especially prized by Spaniards, who had established close diplomatic and commercial ties in the region ■

Y entonces uno se queda con la Iglesia, que me ofrece lo único que debe ofrecerme la Iglesia: el conocimiento de que ya estamos salvados –porque esa es la primera misión de la Iglesia, el anunciar la salvación gracias a Jesucristo- y el camino para alcanzar la alegría, pero sin exclusividades de buen pastor, a través de esa maravilla que es la confesión y los sacramentos. La Iglesia, sin partecitas.

laus deo virginique matris