The scene is the final episode in the Life of the Virgin, and follows her Assumption - not yet dogma in the Middle Ages - or Dormition. The scriptural base is found in the Song of Songs (4.8), Psalms (44.11-12) and Revelation (12.1-7). A sermon wrongly believed to be by Saint Jerome elaborated on these and was used by standard medieval works such as the Golden Legend and other writers. The title "Queen of Heaven", or Regina Coeli, for Mary goes back to at least the 12th century. The subject also drew from the idea of the Virgin as the "throne of Solomon", that is the throne on which a Christ-child sits in a Madonna and Child. It was felt that the throne itself must be royal. In general the art of this period, often paid for by royalty and the nobility, increasingly regarded the heavenly court as a mirror of earthly ones ■
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