VISUAL THEOLOGY


Quatrefoil Plaque with Angels, second quarter of 13th century, French (Limoges), Champlevé enamel, copper, (13.4 x 13.4 x 0.2 cm), The Metropolitan Museum of Art ■ The medieval metalworker's craft was often closely allied to the draftsman's art, a relationship that was particularly strong in the twelfth and thirteenth centuries. In this work, calligraphic metal surfaces float against colorful enameled backgrounds, much as drawing and painting interact in manuscripts. A sketch of a head on the reverse of this piece suggests that artists worked out compositions in a graphic mode before attempting completed designs ■ 

Y entonces uno se queda con la Iglesia, que me ofrece lo único que debe ofrecerme la Iglesia: el conocimiento de que ya estamos salvados –porque esa es la primera misión de la Iglesia, el anunciar la salvación gracias a Jesucristo- y el camino para alcanzar la alegría, pero sin exclusividades de buen pastor, a través de esa maravilla que es la confesión y los sacramentos. La Iglesia, sin partecitas.

laus deo virginique matris