VISUAL THEOLOGY


Book Cover Plaque: Christ in Majesty, ca. 1185–1210, French; Made in Limoges, Gilded copper and champlevé enamel (27.5 x 14.2 cm), Metropolitan Museum of Art (New York). The earliest known textual reference to the famous enamels produced in the city of Limoges during the twelfth through fourteenth centuries concerns a book cover seen in the Abbey of Saint Victor in Paris in the 1160s and intended for an English abbot. Though this book cover seems not to have survived, it might have borne some similarity to the one seen here. Plaques showing Christ in majesty surrounded by symbols of the evangelists, usually paired with a plaque showing the Crucifixion, were produced in large numbers by Limoges enamelers. The variety of textures and patterns created through the masterful engraving and stippling of the five appliqué figures make this a particularly noteworthy example of a product for which Limoges artists were widely recognized and admired

Y entonces uno se queda con la Iglesia, que me ofrece lo único que debe ofrecerme la Iglesia: el conocimiento de que ya estamos salvados –porque esa es la primera misión de la Iglesia, el anunciar la salvación gracias a Jesucristo- y el camino para alcanzar la alegría, pero sin exclusividades de buen pastor, a través de esa maravilla que es la confesión y los sacramentos. La Iglesia, sin partecitas.

laus deo virginique matris